A double line of research is the one that marks the work of Jose de la Mano Gallery in all its exhibition projects since 2005, the year of its inauguration. On the one hand, a firm commitment to recover the memory of many of the artists who made use, in Spain and Latin America in the 50s and 60s, of geometric abstraction as a modern formula of artistic interpretation or even as a committed political vindication. And on the other hand, an attempt to rediscover the first Spanish conceptual artists who transgressed with their radical proposals the artistic scene of our country in the early 70s.

This gallery is a pioneer in the vindication of the artists of the Centro de Cálculo as one of the most transcendental artistic episodes of the last years of the Dictatorship, and a large part of its exhibition projects are coming to rescue the relations between Spanish and Latin American artists of these decades.